2/6/2023 - 14/7/2023 / Week 9 - Week 14
Lee Wing Kie / 0364251
Illustration And Visual Narrative / Bachelor of Design (Hons) in Creative Media
Project 3
LECTURES
Storytelling basics
4. Three-Acts Structure
INSTRUCTION
We need to pick one story from https://poestories.com/stories.php .
The story I have chosen is "The Man of the Crowd."
Short Narrative
Summary
One page visual novel
Fourth panel
Fifth panel
Final Outcome:
REFLECTION
Overall, I had fun working on this project. At the beginning, I faced some challenges while trying to sketch the novel because I had no idea how to do it. Additionally, we had to work on creating animations. Nevertheless, I appreciate this project for providing me with an opportunity to learn and develop my skills. Although there were several difficult tasks that needed to be resolved, I did not give up and achieved the final outcome that I desired.
Lee Wing Kie / 0364251
Illustration And Visual Narrative / Bachelor of Design (Hons) in Creative Media
Project 3
LECTURES
Storytelling basics
1. Central theme
The theme is what the story is really about. It’s the main idea or
underlying meaning. Often, it’s the storyteller’s personal opinion on
the subject matter. A story may have both a major theme and minor
themes.
Major Theme: An idea that is intertwined and repeated throughout
the whole narrative.
Minor Theme: An idea that appears more subtly, and doesn’t
necessarily repeat.
2.Conflict
The conflict is what drives the story. It’s what creates tension and
builds suspense, which are the elements that make a story interesting. If
there’s no conflict, not only will the audience not care, but there also
won’t be any compelling story to tell. Conflict is what engages an
audience. It’s what keeps them white-knuckled, at the edge of their seats,
waiting impatiently to see if the protagonists will overcome their
obstacle.
3. Characters
A story usually includes a number of characters, each with a different
role or purpose. Regardless of how many characters a story has, however,
there is almost always a protagonist and antagonist.
Central Characters: These characters are vital to the development
of the story. The plot revolves around them.
Protagonist: The protagonist is the main character of a story. He
or she has a clear goal to accomplish or a conflict to overcome.
Although protagonists don’t always need to be admirable, they must
command an emotional involvement from the audience.
Antagonist: Antagonists oppose protagonists, standing between
them and their ultimate goals. The antagonist can be presented in the
form of any person, place, thing, or situation that represents a
tremendous obstacle to the protagonist.
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| Fig 1.1 Traditional three-acts structure chart |
Setup: The world in which the protagonist exists prior to the
journey. The setup usually ends with the conflict being revealed.
Rising Tension: The series of obstacles the protagonist must overcome.
Each obstacle is usually more difficult and with higher stakes than the
previous one.
Conflict: The point of highest tension, and the major decisive
turning point for the protagonist.
Resolution: The conflict’s conclusion. This is where the
protagonist finally overcomes the conflict, learns to accept it, or is
ultimately defeated by it. Regardless, this is where the journey
ends.
INSTRUCTION
We need to pick one story from https://poestories.com/stories.php .
The story I have chosen is "The Man of the Crowd."
Short Narrative
Act 1 - Setup
Once upon a time, there was a convalescent man who found himself in a
happy and inquisitive mood. He sat at a window of the Coffee-House in
London, observing the diverse crowd passing by, from noblemen to
merchants, clerks to pickpockets, gamblers to beggars, and even women of
the night. But one particular old man caught his attention with his
peculiar and intriguing expression. The man was fascinated and wanted to
know more about him.
Act 2 - Conflict
One day, the man noticed a peculiar old man among the multitude. The
old man's countenance had a unique expression that conveyed a multitude
of conflicting emotions. Intrigued, the man decided to follow him
discreetly. As he followed, he observed the old man's appearance,
noticing his ragged clothes but also catching glimpses of fine linen, a
diamond, and a dagger. The rain started to pour, but the man persisted
in his pursuit. The old man's behavior became more erratic as he walked
through crowded streets and repeatedly changed directions. Eventually,
they arrived at a square filled with people, and the old man seemed
agitated. He circled the square multiple times, causing the man
following him to be surprised and even almost discovered.
Act 3 - Resolution
Until finally, the old man's restlessness subsided, and he left the
square. The man, still intrigued by the mysterious stranger, continued
to follow him, eager to uncover the secrets hidden within the old man's
enigmatic expression.
In the city of London, a curious narrator observes an intriguing old man
from a coffee-house window. Intrigued, the narrator decides to follow the
mysterious figure through the busy streets. Despite challenges like rain
and crowds, the narrator persists, driven by a strong desire to uncover
the old man's secrets.
As they continue their pursuit, the old man's behavior becomes
increasingly erratic. He wanders aimlessly, crossing and recrossing roads
without a clear destination. The narrator remains determined, even as the
old man's actions grow more unpredictable.
Eventually, the old man leads the narrator to a lively square filled with
people. Here, he becomes visibly agitated, scanning the crowd anxiously.
The narrator almost gets discovered but manages to remain hidden.
As the story concludes, the narrator is left with unanswered questions
about the old man. Who is he? What drives his peculiar behavior? The tale
ends with the old man and the narrator in the bustling square, leaving the
reader to contemplate the captivating journey and the mysteries that
remain unsolved.
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| Fig 2.4 Individual triptych - Act 3 |
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Fig 2.5 Digitalize outcome of triptych |
Design Progress:
First Panel
Second Panel
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| Fig 4.5 Total 9 artboard used for animation |
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| Fig 4.6 Final Outcome of Animation |
Fourth panel
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| Fig 4.7 Total 5 artboard used for animation |
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| Fig 4.8 Final Outcome of Animation |
Fifth panel
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| Fig 4.9 Total 7 artboard used for animation |
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| Fig 4.10 Final Outcome of Animation |
Novel Cover Page
REFLECTION





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